
Image Source: Getty Images
Monday’s Gala screening featured ‘Brooklyn’, director John Crowley and writer Nick Hornby’s period drama adaptation of Colm Tóibín’s novel about a young Irish immigrant in New York who’s torn between two lives and two countries separated by a vast ocean.Brooklyn full press conference (courtesy of PremiereScene)
Image Source: Getty Images
Tuesday’s “Dare” gala featured the most bizarre film at this year’s festival and perhaps the most unique love story in cinema history ‘The Lobster’, writer/director Yorgos Lanthimos’ surreal and darkly hilarious story of a dystopian society where people are forced to find romantic partners or risk being transformed into animals. You can see our full review here.The Lobster full cast & director Q&A (courtesy of BFI)
Image Source: Getty Images
The “centerpiece” Gala on Tuesday featured director Nicholas Hytner’s adaptation of Alan Bennett’s autobiographical play about an eccentric transient elderly lady who lived in a battered car on his driveway and with whom he develops an unlikely bond.The Lady in the Van full press conference (courtesy of HeyUGuys)
Image Source: Getty Images
Wednesday’s Gala featured director Todd Haynes’ adaptation of Patricia Highsmith’s novel ‘Carol’, a stylish period drama set in 1950’s New York about a young unique department-sore clerk who develops a romantic relationship with a married older woman.Carol full press conference (courtesy of HeyUGuys)
Image Source: Getty Images
Documentarian and master of passive-aggressive interviewing Louis Theroux brought his investigative film to the LFF on Wednesday, focusing his wit on the controversial and media-fodder Church of Scientology and its fascinating trappings.My Scientology Movie- Louis Theroux interview (courtesy of HeyUGuys)
Image Source: Getty Images
The pick of Thursday’s screenings was director Paolo Sorrentino’s age, art and life reflective comedy/drama ‘Youth’. The story of a film director and his retired composer friend in the twilight of their lives where they contemplate what has passed and what may be yet to come.Youth LFF Red Carpet (courtesy of Flicks&TheCity)
Image Source: Getty Images
Friday featured one of the official competition entrants and eventual “Best Film” award winner, director Athina Rachel Tsangari’s absurdist Greek comedy ‘Chevalier’, following six men on a boat as their competitive nature farcically escalates changing their relationship in this scathing dissection of the male ego.Chevalier director interview (courtesy of Videoplugger)
Image Source: Getty Images
Friday saw the screening of director Sebastian Schipper’s ultra-realist crime thriller ‘Victoria’, a one-shot visceral indie with no cuts following the fortunes of a girl visiting Berlin whose night out takes a dangerous turn into an armed heist as a hazy dream becomes a nightmare. ‘Victoria’ is out in April 2016 in the UK.
Image Source: Getty Images
Cate Blanchett returned to the LFF red carpet on Saturday along with co-star Topher Grace and director James Vanderbilt for ‘Truth’, a journalistic drama chronicling CBS producer Mary Mapes and anchor Dan Rather’s report about president George W. Bush’s questionable military service and the subsequent backlash that cost them their careers.Truth director & actor intro (courtesy of BFI)
Image Source: Getty Images
Closing night night at the LFF means closing Gala which this year featured Danny Boyle’s much anticipated biographical drama ‘Steve Jobs’, a warts-and-all look at the pivotal events and relationships that merged with a difficult but driven personality to form a man who changed the modern world as we know it, for better or worse.Steve Jobs full press conference (courtesy of TheHollywoodNews)