Stylish period drama set in 1950s New York starring Cate Blanchett as a well-to-do woman in a troubled marriage who develops a romantic relationship with a unique young department store clerk, a forbidden love which threatens her family in this assured adaptation of the groundbreaking 1952 Patricia Highsmith novel ‘The Price of Salt’.
It’s probably controversial in today’s political climate to say that a gay love story is unconventional, but given the 1950s social climate in which the story is set, ‘Carol’ is very much that, as was Patricia Highsmith’s source novel which was published at the time in question.
There’s no doubt that the nature of a lesbian relationship in the 50s is a driving factor for the narrative in ‘Carol’, as Highsmith’s original book soft-cover claimed, this is “The novel of a love society forbids”.
But the careful and considered treatment that’s given to the story, plus masterful craftsmanship by director Todd Haynes, means that you quickly move past a gay love story into a non-traditional yet familiar and tender relationship drama which most adult audiences will relate to.
The irrepressible Cate Blanchett stars in the titular role as woman in repressed turmoil who struggles to balance her character with her family obligations and societal constraints, a distinguished and subtle performance that’s a perfect counterpoint to her Oscar-winning turn in ‘Blue Jasmine’. Rooney Mara also delivers a strong measured performance as an equally uncertain “Therese Belivet”, a girl struggling with youth-related inner turmoil, and who is the catalyst for “Carol’s” inner revolution.
Much has been made of the visual stylishness of the film and indeed the achievements of the cinematographers and costume designers deserve the praise they’re receiving. By rejecting digital and choosing to shoot in 16mm film, Todd Haynes has achieved a vivid colour palette and texture that’s faithful to the cinematic aesthetic of the period in which it’s set.
‘Carol’ carefully walks the line between a tender romance and a melodrama, occasionally stepping over that line with convenient and unlikely story turns and characters that are mostly one-note, apart from the leads. Indeed the narrative is unbalanced with everything revolving around “Carol” while simultaneously portraying characters that no matter how understated, are all fundamentally self-centered. In that sense ‘Carol’ has distinct 21st century characteristics.
Despite strong and subtle performances from the leads and a commendable attempt at a realist depiction of a period romance, regardless of sexuality, the central love story is beautiful but just not that compelling.
The Bottom Line…
Director Todd Haynes has managed to beautifully craft a subtle period-piece romance about “forbidden” love that backs away from melodrama and delivers a universally relatable narrative, despite some character flaws and a slightly underwhelming core courtship.
Forbidden love relationship drama following the lives of two gay cowboys as they struggle to balance a secret romance with their married lives and the constraints of the society in which they live.
Directed by Ang Lee and starring Heath Ledger, Jake Gyllenhaal and Michelle Williams among others.
#TriviaTuesday: A cost-cutting insect-like suit was the early design for the alien hunter in 1987's 'Predator'—unsuccessfully worn by the character's first actor Jean-Claude Van Damme—but it was ditched for a now iconic Stan Winston design at twice the price. Money well spent. pic.twitter.com/pvbTmpgUIB
#TriviaTuesday: ‘Big Kahuna Burger’ is most certainly the fictional fast food of choice in the Tarantinoverse, appearing or referenced in 'Reservoir Dogs', 'From Dusk Till Dawn', 'Death Proof', 'Four Rooms', as well as its starring turn in 1994’s 'Pulp Fiction' of course. pic.twitter.com/k3xVsbDuA6