Stephen Dorff stars as a fast-living Louisiana deadbeat dad with supernatural powers, who decides to drastically change his life after a near-death experience and use his powers to help his community and fight crime instead of committing it.
British writer/director Nick Love takes a break from London crime and hooligan action/dramas to hop across the pond for an American redemption story with a twist in this unique indie take on the now ubiquitous superhero movie.
Set in struggling, post hurricane Katrina New Orleans, ‘American Hero’ is the story of “Melvin”; a divorced, fast-living, substance-abusing petty criminal who has mysterious telekinetic powers, thanks to “unusual” brain activity, and who decides to clean up his act after a health scare, helping the community and as a way to see his court-ordered estranged young son.
At first glance you might be reminded of Will Smith’s 2008 film ‘Hancock’, and ‘American Hero’ does share that central non-traditional “superhero” theme of a “blessed” individual who wastes away his talent and does more damage than good.
But despite a couple of action set-pieces and some decent special effects for a low budget “indie”, the “superhero” element here is almost incidental and little more than an unusual hook for a gritty, well-shot urban dramedy about unfulfilled potential and redemption.
Stalwart of American independent film Stephen Dorff stars as a depressing but realistic vision of what a modern day American superhero would probably look like, alongside comedian Eddie Griffin as his fast talking wheelchair-bound best friend; in what is essentially an unconventional “hood” drama about a man fighting against his self-destructive proclivities and instincts to be an observer in life rather than a participant, all in an effort to do right by his young son.
But ‘American Hero’ never really commits to anything it’s trying to be; as a character drama it’s unconvincing and not helped by the jumping back and forth between a fly-on-the-wall documentary structure and traditional narrative, for no apparent reason. As a superhero action film it’s unsurprisingly underwhelming, not just due to the small budget but thanks to a stop-start momentum which never builds any real tension or provide a much of a payoff, and as a comedy it has its moments, thanks mostly to Eddie Griffin, but it ain’t exactly side-splitting.
The Bottom Line…
So what you’re left with is an interesting concept without a particularly gripping execution, a couple of decent CGI set-pieces and a friendship drama sprinkled with a little ghetto comedy which just about keeps you engaged, without leaving a lasting impression or really going anywhere.
Similar films you may like (Home Video)
Hancock (2008)
Will Smith stars as a deadbeat, alcoholic superhero whose attempts to help society cause more problems than they solve, until a chance encounter gives him a chance to change his public image but in the process also unearth a hidden past which threatens those around him.
Directed by Peter Berg and starring Will Smith, Charlize Theron and Jason Bateman among others.
#TriviaTuesday: A cost-cutting insect-like suit was the early design for the alien hunter in 1987's 'Predator'—unsuccessfully worn by the character's first actor Jean-Claude Van Damme—but it was ditched for a now iconic Stan Winston design at twice the price. Money well spent. pic.twitter.com/pvbTmpgUIB
#TriviaTuesday: ‘Big Kahuna Burger’ is most certainly the fictional fast food of choice in the Tarantinoverse, appearing or referenced in 'Reservoir Dogs', 'From Dusk Till Dawn', 'Death Proof', 'Four Rooms', as well as its starring turn in 1994’s 'Pulp Fiction' of course. pic.twitter.com/k3xVsbDuA6