There aren’t many supernatural slasher films with an African-American character at their heart, and fewer still set in the inner city while reflecting social class and race in America, so when Bernard Rose’s blood-curdling adaptation of Clive Barker’s short story hit the screen in the early 90s, it really hit the spot. But what really sends a shiver down your spine is the local urban legend of ‘The Candyman’ himself—the ghost of a 19th century artist and son of a slave who can be summoned by repeating his name in front of a mirror, bringing with him hook-based vicious vengeance . . . teaching us all that myths and legends are best left alone.
Directed by Bernard Rose and starring Virginia Madsen, Tony Todd and Kasi Lemmons among others.
#TriviaTuesday: A cost-cutting insect-like suit was the early design for the alien hunter in 1987's 'Predator'—unsuccessfully worn by the character's first actor Jean-Claude Van Damme—but it was ditched for a now iconic Stan Winston design at twice the price. Money well spent. pic.twitter.com/pvbTmpgUIB
#TriviaTuesday: ‘Big Kahuna Burger’ is most certainly the fictional fast food of choice in the Tarantinoverse, appearing or referenced in 'Reservoir Dogs', 'From Dusk Till Dawn', 'Death Proof', 'Four Rooms', as well as its starring turn in 1994’s 'Pulp Fiction' of course. pic.twitter.com/k3xVsbDuA6