The 7th of October saw the beginning of this year’s London Film Festival (LFF) brought to us by the British Film Institute (BFI). A smaller counterpart to the larger and more established European film festivals like Cannes and Venice, but with a slightly stronger focus on showcasing movies of all description and promoting their filmmakers rather than glitz, glamour and prize-giving, as well a more informal feel and access to the public.
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In keeping with the themes of female empowerment and women in film, this year’s LFF and opening gala kicked off with director Sarah Gavron’s ‘Suffragette’ which takes an intimate and gritty look at members of that movement in early 20th century Britain, you can see our review here.Suffragette full press conference (courtesy of HeyUGuys)
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Thursday at the LFF saw a screening of Davis Guggenheim’s documentary ‘He Named Me Malala‘ chronicling the life so far of Nobel Prize-winning Pakistani teenage activist Malala Yousafzai, from being shot by the Taliban for suggesting girls should be educated to moving to Britain and becoming a global ambassador for children’s education and gender equality.
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We were also treated to a gala for the Jay Roach biographical drama ‘Trumbo‘, starring Bryan Cranston as Hollywood screenwriter Dalton Trumbo who defied American authorities in the late 1940s and was blacklisted at a time of anti-communist persecution and paranoia.Trumbo full press conference (courtesy of PremiereScene)
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Indian writer/director Deepa Mehta’s ‘Beeba Boys‘ also rolled into the LFF on Thursday, a violent and flashy crime drama about Indo-Canadian gang violence as Sikh gangs fight for power on the streets of Vancouver.Beeba Boys @ The BFI LFF (courtesy of Asiana.tv)
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A dash of star glamour was sprinkled on the LFF red carpet on Friday with the arrival of ‘High-Rise’, an action/drama about an isolated London society in a state-of-the-art high-rise building where a rigid hierarchy and fractured class system descends into decadence and anarchy for the residents, a commentary on class division and the corruptive nature of modern urban living in director Ben Wheatley’s adaptation of the J.G. Ballard novel.High-rise full director & cast Q&A (courtesy of BFI)
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Friday also saw the arrival of the potentially revolutionary indie comedy/drama ‘Tangerine’ shot entirely on iPhones, the story of of a transvestite prostitute on a revenge mission across the streets of L.A. to find the pimp who cheated on her.Tangerine Red Band trailer
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The first Friday at this year’s LFF closed with director Luca Guadagnino’s comedy/drama ‘A Bigger Splash’ starring Tilda Swinton as a rock star whose break recovery on an Italian island with her partner is disrupted by the arrival of a flamboyant old flame and his daughter.A Bigger Splash full director & star Q&A (courtesy of BFI)
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The highlight of Saturday’s schedule was the screening of the Stephen Frears journalistic drama ‘The Program’, chronicling the rise and spectacular fall of Lance Armstrong through his sophisticated doping program and the Times journalist determined to expose it, see our full review here.The Program Gala highlights (courtesy of BFI)
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British audiences also got a first look at the stark & gruesome Western/horror ‘Bone Tomahawk’ on Saturday, starring Kurt Russell who leads a group of men on a mission to rescue an abducted woman from savage cannibals, in attendance were the film’s producers and director S. Craig Zahler. Out this Friday in the US and December 11th in the UK.Bone Tomahawk full director Q&A (courtesy of BFI)
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Hollywood star power was on show in Sunday’s Gala to close out the 1st week at this year’s LFF in the form of the stars and director of the crime drama ‘Black Mass’, the extraordinary true story chronicling the rise and fall of notorious Boston gangster James “Whitey” Bulger. You can see our full review here.Black Mass director, producer & star intro (courtesy of BFI)
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London audiences were also treated to a screening of American indie drama ‘Room’ about a mother who raises her 5-yeard-old son in a small room isolated from the world, only for them both break free and discover the majesty and peril of the real world.Room full director, writer & star Q&A (courtesy of BFI)