Image sources: Universal, Warner Bros., 20th Century Fox & A24
As summer turns to Autumn and the festival season restarts, the industry heads towards the turn of the year and a meatier season for releases, but although an improvement over last year, this September once again offered up a mixed bag in terms of quality and scale. The UK slate raged from a forgettable last hurrah for a vengeful Vietnam vet in ‘Rambo: Last Blood’ and disappointing reflective drama novel adaptation ‘The Goldfinch’, to slightly more memorable fare like true story stripper con-woman drama ‘Hustlers’ and the much anticipated ‘Downton Abbey’ movie.
The global film festival circuit returned early this year and straddled both August and September when the great and the glamorous of world cinema converged on the ‘Queen of the Adriatic’ for the 76th Venice International Film Festival (La Biennale). As usual the world’s press and select audiences were treated to glamorous red carpet galas, premieres and screenings for a large selection of films from across the globe, crowned by the ‘Golden Lion’ at the festival’s award ceremony—which this year went to Todd Phillips’ supervillain origin story and socially reflective portrait of a descent into madness ‘Joker‘. You can see our full recap of this year’s event here, and a brief summary below.Image sources: Getty Images
This year’s principal jury—responsible for awarding the ‘Golden Lion’ and other prizes at festival’s end—was presided over by Argentinian writer/director Lucrecia Martel and included Japanese filmmaker Shinya Tsukamoto, Canadian film historian and festival director Piers Handling, French actress Stacy Martin, Canadian director Mary Harron, Italian writer/director Paolo Virzì and Mexican cinematographer Rodrigo Prieto.
Image source: 20th Century Fox, Universal, Wire, Lionsgate & Showtime
September saw the passing among others of American screen siren Carol Lynley (77) (Blue Denim, The Poseidon Adventure), veteran American actor John Wesley (72) (Stop! Or My Mom Will Shoot, The Fresh Prince of Bel-Air), and Armenian-American screenwriter and regular Martin Scorsese collaborator Mardik Martin (82) (Mean Streets, Raging Bull), plus indie genre and horror film favourite Sid Haig (80) (Kill Bill: Vol. 2, The Devil’s Rejects) and perennial screen old lady Linda Porter (86) (Dude, Where’s My Car?, Twin Peaks).